carole cluer

Art, hope and self acceptance

Tag: hope

Finding Jonathan

The Royal Derby Hospital is just in the process of organising its archive and they very kindly allowed me to search through their material, some of which hadn’t yet been archived. So much wonderful stuff! Reports on student nurses, midwifery books,  numerous mysterious machines and Florence Nightingales signature. Wonderful indeed but not what I was looking for… although I didn’t actually know what that was until I found a pile of amateur photographs. Someone sometime in the 1930/40/50’s ( I can’t tell) had taken a camera in and photographed different wards, I expect it was unusual then to be photographed and patients are sitting up smiling in bed, but it was the photos from the maternity ward that made me stop. Smiling nurses held armfuls of anonymous babies, with nothing to identify them it felt easy to imagine that they could be who ever you wanted;SONY DSC

and that is when my imagination began to fly.

On the 6th April 1959 my brother Jonathan was born, overdue and stillborn. This was a time before counsellors and memory boxes and he was whisked away unphotographed and unrecorded to an unknown grave. He was my older brother, so I have no memory of his birth and wasn’t told about him until I was in my thirties with children of my own. Yet he has had a huge impact on my life, he was the family secret that I kind of always knew about.

When I was told about Jonathan my father was dying and my parents wanted to know what had happened to him, so I set about finding out. It took just two phone calls to solve the forty year mystery, as you might expect with officialdom, he had been allotted a number, his location recorded. Archived.

It was as if he had been waiting for me to find him.

I have always felt a sense of guilt that somehow I let him down by not knowing about him sooner, not carrying him in my heart as I grew up. Seeing that photo of the nameless babies I thought how they could be anyone’s child.. or brother. What if I were to create the memory box that Jonathan would have had if he were to have been born today, would that satisfy my need to memorialise him, to give him a presence in this world?

After a lot of research into what sort of things might go into a memory box and thinking about my own children’s births and mementoes I began to draw..and think .. and imagine.

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The content list not only itemises all contained within the box but other events crossed out – his first school photo, his first lost tooth, all the milestones he would never reach. The box is poignantly empty, indicative of a life unlived.

I do feel that this imagined memory box has helped me and would like to research further into the effects of the created art object. I would like to perhaps work with others who have lost a baby and have been left without anything to remember them by.

The Archive of Created Histories and Imagined Futures

A new direction to my practice prompted by an elective called Drawing from the Archive.

Throughout history objects have been worshipped, treasured and reviled. We use them to bring us luck and to traverse time and space to revisit the past or conjure up the presence of a loved one.  We all own an object who’s value to us far exceeds its material one.

I have talked previously about the properties of the art object but could it stand in place of the original or even to fulfil the need of an imagined object. Whether by giving a materiality to an internal longing it satisfies the original desire.

Are the only valuable artefacts authentic ones and the only precious memories true ones?

We often see the world us around as solid and material but in fact our reality is stitched together with the unproven, the believed. One of the things that makes  humans unique is our ability to believe in the unseen, to create the unbelievable and then have faith in its existence.

Our capacity to imagine and give life to those imaginings has led to our greatest moments in history but also is the source of our darkest shame.

Every scientific discovery starts with a ‘what if’, but also every war is bolstered by hollow justifications that are weaved into a false reality that perpetuate fear and hate.

Imagine an archive where they are tasked with storing and preserving all these imaginings, good and bad, responsible for protecting the most fragile and containing the most virulent fabrications of the human mind. Some like the oldest religions will have survived for thousands of years but others like a childhood ambition will soon fade away as adult concerns crowd in on that individual.

As part of the elective I created a piece of work called Finding Jonathan, the first item in my archive. It was prompted by a photo I found in The Royal Derbyshire Hospital’s archive but I am going to blog about that separately.

To report on my work I decided to continue to experiment and present in character, something I have never done before and wasn’t exactly looking forward to. Dressed in a white lab coat I became the head archivist for the  department called Individual Archive with a particular interest in Personal Longing. The items found in this section are created through hope and love and are some of the most delicate and ephemeral artefacts. I created a reception with a drawn phone, bell and in-tray, in my pocket were drawn pencils and scissors and I handed out a drawn pamphlet to my ‘induction members’. Because everything I do begins with graphite on paper it seemed right that my imaginings would be drawn, hopefully it helped to introduce a sense of ‘otherness’ and an element of fun to what might have been quite a sombre piece of work

Leaflet

Leaflet

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office equipment

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lab coat

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first entry into archive

It was just a short presentation but even though I was nervous it really helped me to test the idea, it would be wonderful to be able to expand this area of my practice further.

Lydy 2

The first year of my MA course is finished and I have started the process of catching up with my ‘real’ life, apart from the boring stuff – tidying and gardening etc. I thought I would finally update my rather sporadic blog. I am also busy working on something for an exhibition in the New Year, its really exciting and will flex my non drawing muscles! Hopefully I will have something to show for that soon too.

Anyway back to my drawings of Lydy, I posted my first completed portrait a few months ago but  have been slightly distracted from my original intention to complete a series of drawings by the requirements of my course but at last I have finished my second portrait of Lydy.

One of the modules on my course concerns drawing from archives, it took me off in a whole other direction. A complete surprise but totally wonderful, as soon as I figure out how to present it I will post up my work.

I took my first drawing back to show Lydy who fortunately was happy with my first attempt and graciously agreed to sit for me again. This time around it really did feel like I knew her better and I do think this second portrait feels different although perhaps I need time to work out exactly how,perhaps we were both more relaxed.

I hope you like it.

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New Work – Portrait of Lydy

I just wanted to show you my first work in what hopefully will become a series. As with all my pictures I want to apologise for the quality, its really tough getting a good clear photo of a 100 x 70 cm drawing, they always come out too dark without the full contrast, but I hope you can get the idea.

If you would like to see the real thing it is being displayed at Sheffield Hallam University along with some of my other work on the second floor of Cantor Building.

It is a portrait of a wonderful woman called Lydy whose
bravery, already tested beyond the experience of most of us, has extended to allowing a stranger to draw her.

I am extremely grateful for her generosity and graciousness which I hope I have begun to capture.


I will soon begin the next drawing which Lydy sat for after seeing this portrait for the first time, hopefully using the process of drawing to get to know her better and to extend my work into other media.

Any feedback would be really useful, especially if you manage to see it for real!

Thank you

Degree Show Open!

Last Friday evening, our degree show opened for its private view, after three years of hard work, soul searching and challenges it was over. Looking back at the fifteen year old who was persuaded to give up on her dreams of art college it seems at once like yesterday and a life time ago. I can’t quite believe I have finally done it. There is a saying that trying one new thing a day keeps you young, well it feels like I have been doing that for the last five years, ever since I stepped into my first class, aptly named ‘Drawing for the Terrified’ determined to see ‘if I could draw’ and petrified that I would find that I couldn’t. Thanks to some great tutors I have been encouraged  and nudged on to each new step right up to now when hopefully I will soon graduate.

One of the best things about being on the course has been the other students, I am not sure what they think about having older colleagues but they have always been supportive and encouraging and they have opened up my world and made me feel just like another student. At a time when my views could have narrowed and hardened they have made me see things through younger eyes, they are funny, clever and inspiring.

Anyway, Friday night was great, I talked to lots of interesting people,saw great art, drank a little too much and got an award!  The award for lifelong learning, a complete surprise and I am thrilled because if nothing else (and there is loads more) the course has taught it is never too late to start and you should always keep trying – and learning.

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I will write a post about my plates and book over the next couple of days

Our exhibition is part of Sheffield Hallam’s Creative Sparks 2012 and runs between 6-23  June, 10-4, Mon to Sat.

I am exhibiting at the S1 Artspace Gallery, 120 Trafalar Street, Sheffield,S1 4JT.

If you are nearby please pop in.

http://www.shu.ac.uk/creativespark/visit.html


Self Portrait

For the last eighteen months I have been drawing portraits of people with scars. I have wanted them to be a celebration of imperfection and a counter to what sometimes gets mistaken for society, you know the magazines and films where the already surgically perfected get airbrushed into impossible proportions. There is a unique and geniune beauty about someone who has lived a life and who has come to accept what that life has made them, who accepts all the physical and emotional scars that life has drawn across their body and soul as proof of a journey taken.  I have always known that I am interested in this because of the many scars I have and how difficult I find applying this philosophy personally – I find I am always less tolerant with myself than others.

Anyway, I soon began to realise that each portrait I drew had an element of self portrait in it, I was circling around something I was too scared to execute.  All those wonderful people who agreed to let me draw them were so much braver than me.

At Christmas I drew my first self portrait, it was for my Jan assessment so when it came to having to display it I chose a dark corner in the basement of our studios and hoped no one would notice it. It made me feel physically sick to show it.  I  soon realised it was a pretty bad drawing, I was so scared of  actually looking at myself Ihad rushed it so when it came to deciding what to do for my final degree show I knew I had to redraw it – properly this time.

I have taken twice as long to draw this picture than I usually do, really focusing on each centimetre. In the next few days I have got to hang it in the gallery, that is going to be the toughest bit and I am  not sure how late I will leave it.  A scar isn’t just a mark  on your skin it is the story of a moment in your life. For me, my scar represents what I hate the most about myself, the fear that keeps me awake at night and is the thing that somehow makes me feel ashamed, I can’t quite believe I am going to stick it on a wall and let people see it – let people judge me.  I have to remind myself that it also represents what I feel most proud about myself, what I have endured and survived and the example I want to show my daughter and son.

If I feel like this it might seem weird to you that I am posting this, but I am just sitting in my study typing, alone, this is me just dipping my toe into the water, any reactions are distant and removed. Real life begins on the 1st of June when the exhibition opens.

Its not the best photo but I hope you can see it well enough,it’s a little over life sized and I have framed it with glass so that the viewer can see their reflection over the drawing

Degree Show Nerves

Writing a blog is still pretty new to me, I tend to write about things that have already happened, that I have had time to process. For the last few weeks the build up to my degree show has been hotting up and I have found it difficult to find the words about what I am going to show. Most of my work is pretty personal so it feels like its me not just my art being judged. Anyway, since in a weeks time I am going to be assessed on it and on the 1st of June loads of people (hopefully!) are going to come and see I thought I had better start easing myself into the fact by talking and showing it to you. I have three pieces that I am going to show – two are definite and one a maybe at the moment, as they are ready I will post them

hope

I am making the artists book that I have spoken about before, I want to use cyanotypes of dandelions for the cover and end sheets and have been waiting for them to appear so I can experiment. Finally a spell of uncharacteristically warm weather has kicked nature into action and never ones to miss out, dandelions have begun to embroider the fields around my house. Its a little early for them to turn into clocks but I managed to find one on my first ‘expedition’ and I carried it carefully back in the palm of my hand. I am not sure if it was the hour long walk in the sun or seeing life bursting out around me but I felt a hell of a lot better on my way back than when I started. Life really is hope

The art of trying

“You’re not obligated to win. You’re obligated to keep trying to do the best you can every day”

Marian Wright Edelman

Since last September I have been going to pottery classes, I think you are meant to call them ceramics classes but that doesn’t seem right somehow, after all my aim when I started was to learn to throw a pot.

For as long as I can remember I have wanted to use a potter’s wheel. I am old enough to remember  the ‘interlude’ clip on the telly between programmes that showed a potter raising a vase out of clay.

At school there was a potter’s wheel that was kept safely out of harms way along with the good paint and paper that we were never allowed to use. It gained a mystic for me, something other people got to do.

As part of my work I have researched the Japanese craft of kintsugi and the tradition of tea bowls. I have been inspired by the Japanese aesthetic of Wabi Sabi ( more on that another time maybe).

Last year as part of my degree I went to a talk by Edmund de Waal, the way he talked about his work was inspiring and it gave me the final push, after all I had changed my career and life, surely now I could learn to throw a pot.

You see that’s what is scary about dreams, even small ones. If you don’t ever try to realise them they remain safe. Whilst I had never tried to make a pot I could always imagine that if I did I would be brilliant, people would stand around amazed at my natural genius, by trying I was also risking failure.

Now you don’t often get the opportunity at 48 to try something completely new and I seem to be making a career out of it so I set off to find my pottery class.

It didn’t take me long to find Penny Withers at an open studio, she is a brilliant ceramic artist who has turned out to be a very patient and encouraging teacher.

Her classes have reminded me of the pleasure of learning a skill and are filled with others who create art just for the joy of it. That’s something that is easy to forget when you are coming to the end of your degree and are overwhelmed by deadlines and assessments.

At first when asked what I wanted to try I vaguely said I didn’t mind, whilst eyeing the row of wheels in the corner. It took me four weeks to summon up the courage to try  and unfortunately no one stood around in awe of my god given ability – it was difficult! What Penny made look like effortless poetry was a stressful and strength sapping wrestle with this solid lump of immovable clay.

But, and this is where I get to the trying part, I didn’t give up.

Most of my efforts didn’t make it off the wheel, except to be scraped back into the recycle bin. When after what seemed like dozens of attempts I raised a very wobbly and lumpen bowl from the clay the relief was immense. Yes relief, the fear of complete failure had haunted me, I didn’t want to be bad, I might never be good but please just don’t make me bad.

Any pot that had managed to stagger into life, however poor a creation, was fired and glazed, I wanted to chart my progress. Each pot makes me smile, I use them for soup and cereal and as the tea bowls I initially set out to create. They are far from perfect, but their imperfections make them sweeter to me, they remind me that imperfection brings with it its own beauty.

I may never manage to throw my perfect tea bowl but I will keep on trying.

Penny’s website http://www.freeformceramics.co.uk/

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New work

I recently completed  my first public work. It was a live art drawing which sounds quite dramatic but actually it was quiet and unassuming.

A few months ago I had one of those ideas that just keep going around and around in your head.

I had seen an article about the numbers of people who had been diagnosed with a type of cancer the year before and it made me think that somewhere there were statistics that contained me. You tend to forget that when you read about mass numbers that each one is an individual.

So I sent off a few emails and the kind people at Cancer Research uk supplied my with the data.

In 2004 45704 people were diagnosed with breast cancer, that included 9 men.

Think of it, 45704 families affected

I was already interested in the tattoos that you get when you have radiotherapy, I had been researching the work of American book artist Martha A Hall who created a book called tattoo. I had also been looking on forums and people really seemed to hate those tiny tattoos, I know it might seem such a tiny thing to worry about when you are fighting cancer but it does feel like you are being permanently branded.

A member of a club you never wanted to join.

Also the process of radiotherapy is pretty dehumanising, before you start you have a session where you are measured, you are left alone in a darkened room, wedged in by heavy cushions to immobilise you whilst laser lines are beamed across your body. The staff were great but you do feel alone and frightened.

Anway I decided I wanted to use the tiny blue/black dot you are tattooed with to symbolise each person.

I was lucky enough to get the opportunity to create my work in the Cantor building of Sheffield Hallam University, if anyone is interested its on the second floor.

I marked a cm grid using the traditional art of goldpoint, you actually drag a fine gold wire across the surface to deposit a tiny amount of gold. The line looks very ordinary, a bit like graphite pencil.

Like life its preciousness is easy to overlook.

The grid measured a little under 3 metres by 2 metres and took 30 hours. Next I placed a tiny dot of blue/black ink at each intersection until I had done 45704, one for each person diagnosed.

Initially it was difficult to see the lines but as the number of dots increased it gained form, it’s still delicate and lace like and perhaps easy to overlook but its also, I think, quite powerful. The number of dots is quite overwhelming, they seem much bigger than a number.

Having never worked in public before I was pretty scared but actually that was the best bit. The students and staff (none of whom were artists) that walked by were interested and took time to chat. They understood that the endeavour and labour was integral to the work, that its delicacy was given weight by the investment of time. Their reactions were better than I could have hoped for.

Lots of my fellow students came over to support me which was lovely.

The work took me about 46 hours to complete and is awaiting a permanent label, it wasn’t easy as because of my treatment I find it painful to hold my arm up for any length of time, but it was definitely worth it.

I am now working on an artists book based on the same subject and would love to take the work to other locations.

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